A highly detailed, exquisitely crafted conceptual product-style still life of an elegant traditional Chinese pavilion, presented as a miniature architectural artwork. The pavilion is a three-tiered pagoda structure made of semi-transparent jade-like and softly frosted glass material in refined milky white and ice-blue tones. Translucent turquoise-blue glass roofs feature delicately tapered profiles, accented with finely detailed champagne-gold ornamental edges and intricate, graceful golden flying-eave details. A warm, subtle golden light glows gently from within the pavilion through translucent windows, creating a soft inner radiance. A small vertical blue-and-gold plaque is precisely embedded on the upper tier façade, understated yet refined. The pavilion stands on a simplified, smooth sculptural base inspired by stylized mountains and calm water, carved from semi-transparent ice-blue crystal material. The mountain–water form is defined by elegant flowing contours, softly rounded transitions, and continuous sculptural surfaces, with restrained texture and no sharp ridges, evoking the feeling of finely polished jade, melted glass, or serene frozen waves. The mountain–water base fully fills the bottom of the frame and is cleanly cropped by the image edge: there is no visible ground, no platform, no horizon line, and no empty bottom space. The form appears naturally immersed and continuous, extending beyond the frame rather than resting upon it. A clean white jade staircase rises diagonally and seamlessly from within the sculptural base toward the pavilion entrance, maintaining clarity, balance, and an elegant sense of progression. Composition is tight, refined, and immersive: the pavilion and its base occupy most of the frame, with the mountain–water structure gently pressing against the lower edge, eliminating visual emptiness while preserving calmness. Camera: subtle low-angle, 3/4 perspective (approximately 25–30 degrees turned), with close framing to emphasize fine material quality, delicate craftsmanship, and sculptural precision. Soft, diffused luxury studio lighting with minimal hard shadows. High realism, shallow depth of field. Clean white to light-gray gradient background confined to the upper area, with carefully restrained negative space. Calm, ethereal, refined, premium craftsmanship, serene and sacred atmosphere, Eastern fantasy meets modern minimalism.
一件高度精细、工艺精湛的概念产品风格静物：一座优雅的中国传统亭台，被呈现为微型建筑艺术品。亭台为三重塔式结构，采用半透玉石质感与柔和磨砂玻璃材质，色调为精致乳白与冰蓝。半透明青蓝玻璃屋顶呈细腻锥形轮廓，饰以精致香槟金边饰与优美飞檐金饰细节。温暖柔和的金色灯光自亭台半透明窗内微微透出，营造柔和内发光。上层立面精确嵌入一枚竖向蓝金小匾，低调而精致。亭台立于简化流畅的雕塑底座之上，底座以抽象山水为灵感，由半透明冰蓝水晶雕刻而成。山水形态以优雅流动曲线、柔和圆润过渡与连续雕塑面构成，纹理克制、无尖锐棱线，散发精抛玉石、熔融玻璃或宁静冰浪之感。山水底座完全填满画面底部并被图像边缘干净裁切：无可见地面、无平台、无地平线、无底部留白。形态自然沉浸且连续，仿佛延伸至画外而非安放其上。一条洁白玉石阶梯自雕塑底座内对角优雅升起，无缝通向亭台入口，保持清晰、平衡与优雅递进感。构图紧致、精致且沉浸：亭台与底座占据大部分画面，山水结构轻柔压迫下缘，消除视觉空洞同时保留宁静。相机：微妙低角度，3/4视角（约25–30度旋转），近距离取景以强调材质细腻、工艺精美与雕塑精度。柔和扩散的奢华影棚照明，几乎无硬阴影。高写实、浅景深。洁净白色至浅灰渐变背景仅限上部区域，负空间精心克制。氛围宁静、空灵、精致、顶级工艺、静谧而神圣，东方幻想与现代极简交融。
