[
BRAND NAME
] | [
OBJECT
] Act as a High-End Commercial Product Photographer and Creative Director shooting a luxury editorial campaign (Hypebeast / Highsnobiety /Wallpaper* level). PHASE 1: BRAND INTELLIGENCE The hero subject is a [
OBJECT
] branded for [
BRAND NAME
]. Autonomously determine [
BRAND NAME
]'s full visual identity: signature color palette, typographic DNA, logo mark geometry, material language, and cultural positioning. Apply this identity to the [OBJECT] with precision — do not invent a generic brand, decode the real visual codes. PHASE 2: OBJECT SURFACE & MATERIAL DNA Regardless of the shape of [OBJECT], apply this material system: Base tone: deep neutral — matte dark graphite, warm charcoal, or matte black. Fine-grain surface micro-texture visible under raking light — powder-coat, matte paper, or brushed material feel. Subtle gradient bloom: the base color dissolves in the lower portion of the object's surface into the brand's most iconic accent color — a soft luminous haze from within the material, not a printed graphic. Logo application: embossed, debossed, or metallic foil relief — catching specular light at edges only. Precise. Restrained. Typography: brand-accurate typeface, small tracking, positioned with editorial intentionality. PHASE 3: THE ACCENT BREAKOUT ELEMENT This is the signature design move — adapt it to the natural geometry of [OBJECT]: Identify the most logical "interruption zone" on [OBJECT] — a seam, edge, band, collar, rim, strap, or wrap point. At this zone, apply a narrow saturated accent element in the brand's most iconic hue — vivid,
slightly matte. This element must visually "break out" of the object's boundary — extending, protruding, or wrapping beyond the expected edge, creating a deliberate 3D tension between the object and the detail.The accent element carries a micro-typographic brand detail — tagline, model name, or descriptor — small, precise, tracked. PHASE 4: STAGING & COMPOSITION Studio cyclorama. Surface tone: off-white to warm light gray. Background field: cool neutral mid-gray, darker in upper zone. [OBJECT] positioned at 3/4 angle — front face and one secondary surface simultaneously visible. Rule of thirds: object occupies right 60% of frame. Left field: generous negative space — intentional, not empty. Single hard-edged directional shadow cast to the right and slightly downward — crisp penumbra, no diffusion. PHASE 5: LIGHTING Single dominant key light: large softbox, camera-left, elevated at 40°. Specular highlight traces the top-left edge of [OBJECT] — revealing material grain. Shadow side: no fill. Darkness earns depth. Subtle ambient bounce from cyclorama floor — lifts shadow by 15%, no more. Accent element receives micro-specular glint along its dominant edge. Mood: Rembrandt chiaroscuro logic applied to product photography. No lens flare. No atmospheric effects. PHASE 6: TECH SPECS Lens: 85mm equivalent, f/4.5. Depth of field: object fully sharp, background softened. Chromatic aberration: subtle, at extreme frame edges only — optical realism signal. Film grain overlay: 15% opacity — anti-CGI-plastic treatment. Render: Octane / Ray Tracing quality —subsurface scattering where material demands it, global illumination, physically accurate shadow falloff. Aspect ratio: autonomously determine optimal ratio for this [OBJECT] format.
[
BRAND NAME
] | [
OBJECT
] 扮演一名高端商业产品摄影师兼创意总监，拍摄一场奢华编辑广告大片（Hypebeast / Highsnobiety /Wallpaper* 级别）。阶段 1：品牌情报主角产品是一个 [
OBJECT
] ，品牌为 [
BRAND NAME
] 。自主确定 [
BRAND NAME
] 的完整视觉识别：标志性的调色板、排版基因、商标几何形状、材质语言和文化定位。将此身份精准应用到 [OBJECT] 上——不要发明一个通用品牌，要解码真实的视觉代码。阶段 2：物体表面与材质基因无论 [OBJECT] 的形状如何，应用此材质系统：基调：深中性色——哑光深石墨色、暖炭色或哑光黑色。在侧光下可见的细颗粒表面微纹理——粉末涂层、哑光纸或拉丝材质感。微妙的渐变光晕：基础颜色在物体表面的下半部分溶解为品牌最具标志性的点缀色——一种来自材质内部的柔和发光薄雾，而不是印刷图形。标志应用：浮雕、凹雕或金属箔凸起——仅在边缘捕捉高光。精准。克制。排版：符合品牌特征的字体，小字间距，以编辑意图进行定位。阶段 3：点缀突破元素这是标志性的设计手法——将其适应 [OBJECT] 的自然几何形状：识别 [OBJECT] 上最符合逻辑的“中断区”——接缝、边缘、饰带、领口、边缘、绑带或包裹点。在此区域，应用一个狭窄的饱和点缀元素，采用品牌最具标志性的色调——生动，
略带哑光。该元素必须在视觉上“突破”物体的边界——延伸、突出或包裹超出预期边缘，在物体与细节之间创造一种刻意的三维张力。点缀元素带有微排版品牌细节——标语、型号名称或描述词——小巧、精准、有字间距。阶段 4：布景与构图摄影棚无缝背景幕。表面色调：米白色至暖浅灰色。背景区域：冷调中性中灰，上半区较暗。[OBJECT] 以 3/4 角度定位——正面和一个次要表面同时可见。三分法则：物体占据画面右侧 60%。左侧区域：充足的负空间——刻意为之，而非空白。单一硬边缘定向阴影投射向右侧并略微向下——清晰的半影，无漫反射。阶段 5：灯光单一主光源：大型柔光箱，相机左侧，抬高 40°。高光沿着 [OBJECT] 的左上边缘勾勒——展现材质颗粒。阴影侧：无补光。黑暗赋予深度。来自无缝背景幕地面的微妙环境反光——将阴影提亮 15%，不能再多。点缀元素沿其主要边缘接收微高光闪烁。氛围：将伦勃朗明暗对比逻辑应用于产品摄影。无镜头光晕。无大气效果。阶段 6：技术规格镜头：85mm 等效焦距，f/4.5。景深：物体完全清晰，背景柔和。色差：微妙，仅存在于极端画面边缘——光学真实感信号。胶片颗粒叠加：15% 不透明度——抗 CGI 塑料感处理。渲染：Octane / 光线追踪质量——在材质需要的地方使用次表面散射，全局光照，物理准确的阴影衰减。宽高比：自主确定此 [OBJECT] 格式的最佳比例。
