A half-finished marble sculpture in a dusty Renaissance workshop, with the [SUBJECT] emerging from the raw stone block in a breathtaking moment of creation becoming conscious. The figure is rough chisel marks at the base, transitioning through refined carving into impossibly lifelike flesh at the extremities. [KEY FEATURES] have achieved full life while the torso remains trapped in stone, mid-escape. Marble dust swirls in shaft lighting as if the awakening itself is generating atmosphere. The [SUBJECT] reaches forward, fingers transitioning from carved to living. Sculptor's tools scattered on wooden platforms: chisels, mallets, calipers, clay maquettes. Unfinished companion pieces watch from the shadows. The Pygmalion moment frozen. Cathedral-height workshop windows casting dramatic god-rays, cool marble tones warming to flesh, 8K, Bernini meets cinema.
一尊未完工的大理石雕塑，置于尘埃飞扬的文艺复兴工坊；[SUBJECT]正从粗砺石坯中挣脱，在“创作获得意识”的震撼瞬间定格。下半身仍是粗粝凿痕，向上逐渐过渡为精细刻纹，至肢体末端已化为逼真血肉。此刻，[KEY FEATURES]已完全活化，而躯干仍半囚于石中，似在突围。大理石粉尘在光束中翻涌，仿佛觉醒本身正生成气息。[SUBJECT]伸手前探，指尖由雕凿之形渐变为活体。雕塑家工具散落木台：凿子、槌子、卡尺、黏土小稿。未完成的伴生雕像在阴影中静观。皮格马利翁的瞬间被凝固。高耸如教堂的工坊窗投下戏剧性的神光，冷冽大理石色调向血肉渐暖，8K，贝尼尼遇见电影质感。
