A minimalist wide-angle painting in the Song Dynasty style, adhering strictly to the "less is more" philosophy. The composition is dominated by vast expanses of pure, cold white Xuan paper representing infinite void. A group of multiple Song Dynasty women are depicted dancing, viewed from behind. Their figures and flowing robes are suggested ONLY by swirling, extremely faint, highly diluted, wet-on-wet washes of cold pale jade green and cyan ink that bleed softly into the absorbent paper texture, appearing like dancing clouds or flowing water rather than solid bodies. There are NO hard, dry outlines or solid color blocks. The ink wash possesses a subtle, microscopic crystalline shimmer, like ground mineral pigments catching ambient light. Extremely delicate, hair-thin metallic gold and soft lavender traceries define the dynamic, swirling edges of their long sleeves and ribbons in motion. Immense tranquility, graceful movement, ethereal elegance, cool temperature. **In the bottom right corner, there is a distinct, traditional square Chinese red cinnabar seal (chop). It is meant to be the four characters "只此青绿", carved in the specific highly stylized Song Dynasty "nine-fold seal script" (九叠篆) style, characterized by intricate, winding, folded strokes that geometrically fill the square space.** --ar 9:16
一幅极简广角宋代风格绘画，严格遵循“少即是多”理念。构图以大片纯冷白色宣纸表现无垠虚空。数名宋代女子背身起舞，仅由极淡、极度稀释、湿中湿晕染的冷青玉色与青绿墨色暗示身形与飘逸衣袂，墨色在吸水性纸纹中轻柔晕开，似舞云或流水而非实体。无硬干轮廓或色块。墨色具微妙微晶闪光，如研矿物颜料映环境光。极细发丝宽金属金与柔薰衣草紫线描舞袖与飘带动态边缘。极静、雅动、空灵逸致、冷温。**右下角一方传统中国朱红印，四字“只此青绿”，以典型高度风格化宋代“九叠篆”刻成，笔画繁复回环，几何填满方格。** --ar 9:16
