Subject: an imperial masterpiece ornate black jade bowl diorama titled Night Mountain of the Ancients, the bowl opened with an organic blended cutaway where the dark jade rim seamlessly transforms into jagged mountain rock, ancient soil, moss, and weathered stone so the boundary between vessel and terrain appears naturally continuous and almost indistinguishable, revealing a miniature nocturnal sacred mountain world with steep terraces, a secluded ancient shrine carved into the cliff face, winding pilgrimage steps, weathered guardian statues, twisted wind-shaped pines, and faint runic stone markers suggesting forgotten ages Environment: the black jade bowl rests on a prestigious museum pedestal within a dimmed gallery-style neutral space, inside the bowl exists a high sacred mountain ecosystem under night conditions with layered cliffs, narrow stone paths, drifting low mist, sparse alpine vegetation, scattered fallen needles, and subtle environmental storytelling such as worn stair edges, cracked stone slabs, and ancient offerings, all mountain peaks, trees, and shrine roofs intentionally composed fully inside the frame with visible headroom above to prevent clipping Style: ultra-refined hyper-detailed surreal realism with mythic nocturnal atmosphere, imperial East-Asian-inspired sacred artifact aesthetic, masterwork black jade carving object design, cinematic macro miniature photography, extremely precise geological realism, physically plausible environmental aging, strong visual hierarchy, premium Nano Banana Pro optimized imperial masterpiece density Lighting: deep moonlit night illumination with cool blue ambient light, soft silver moon highlights catching cliff edges and pine needles, subtle internal lantern glow along the pilgrimage steps and shrine entrance providing warm focal contrast, faint mist diffusion enhancing depth, delicate rim lighting revealing the polished black jade translucency and mineral depth without losing shadow detail Camera: carefully composed three-quarter frontal museum presentation angle aimed into the blended opening, slightly elevated macro viewpoint maximizing terrace and shrine readability while framing the entire bowl, all peaks, and tallest trees fully within the image, generous vertical breathing space above the highest elements, cinematic miniature depth of field emphasizing the lantern-lit shrine and ascending path, 70–100mm macro-equivalent lens feel, stable gallery presentation framing Materials: master-carved black jade bowl with deep near-obsidian tonal layers, subtle green-black mineral veining, low translucent depth along thinner carved regions, ultra-fine engraved dragon-cloud, mountain, and ancient rune motifs polished into the jade, the cutaway transition organically morphs into stratified rock faces, weathered steps, moss patches, root systems, and cliff textures so the jade appears naturally crystallized into th
主题：一件名为“古夜山”的帝国杰作，一个华丽的黑玉碗微缩景观。碗体以有机融合的切口打开，深色玉石边缘无缝地转化为崎岖的山岩、古老土壤、苔藓和风化石，使得器皿与地形之间的界限自然连续，几乎难以区分，展现了一个微型的夜间圣山世界，其中有陡峭的梯田、雕刻在悬崖上的隐秘古老神龛、蜿蜒的朝圣台阶、风化的守护雕像、扭曲的被风塑形的松树，以及暗示着被遗忘时代的微弱符文石标记。 环境：黑玉碗放置在一个光线昏暗的画廊式中性空间中，位于一个著名的博物馆基座上。碗内是一个高耸的圣山生态系统，处于夜间环境，有层叠的悬崖、狭窄的石径、漂浮的低雾、稀疏的高山植被、散落的枯叶，以及磨损的台阶边缘、开裂的石板和古老的供品等微妙的环境叙事。所有山峰、树木和神龛屋顶都特意构图在画面内部，上方留有可见的净空，以防止裁剪。 风格：超精细、超细节的超现实主义，带有神话般的夜间氛围，帝国东亚风格的圣物美学，杰作黑玉雕刻物体设计，电影级微距微缩摄影，极其精确的地质写实主义，物理上合理的环境老化，强大的视觉层次感，优质 Nano Banana Pro 优化帝国杰作密度。 光照：深邃的月光夜间照明，带有冷蓝色环境光，柔和的银色月光照亮悬崖边缘和松针，朝圣台阶和神龛入口处微妙的内部灯笼光提供温暖的焦点对比，微弱的雾气扩散增强了深度，精致的边缘光线展现了抛光黑玉的半透明度和矿物深度，同时不失阴影细节。 相机：精心构图的四分之三正面博物馆展示角度，对准融合的开口，略微抬高的微距视角最大化了梯田和神龛的可读性，同时框住了整个碗、所有山峰和最高的树木，图像上方留有充足的垂直呼吸空间，电影级微缩景深强调了灯笼照亮的神龛和上升的路径，70-100mm 微距等效镜头感，稳定的画廊展示构图。 材质：大师雕刻的黑玉碗，具有深邃近乎黑曜石的色调层次，微妙的绿黑色矿物纹理，较薄雕刻区域的低半透明深度，超精细雕刻的龙云、山脉和古老符文图案被抛光到玉石中，切口过渡有机地演变为层状岩石表面、风化台阶、苔藓斑块、根系和悬崖纹理，使玉石看起来自然结晶成...
