Neo-Chinese ink wash landscape poster, vertical 9:16 composition, Oriental minimalist aesthetic style,
Large area of negative space, overall color tone is spring morning atmosphere (cyan-green, misty blue, light gray, light ink), low saturation, clear and soft, high-end texture.
The main subject of the picture is steep and majestic mountains, rising from both sides of the calm lake in the middle, occupying the left and right sides of the picture,
The mountain bodies are expressed with ink wash blending, rich in changes of shades, dryness and wetness, partially integrated with light cyan-green rendering, reflecting the vitality of spring.
The mountain peaks are wrapped in moist and gentle morning mist, the mist progresses layer by layer, naturally blending with the light cyan-blue sky, forming aerial perspective and spatial depth.
The lake surface is as calm as a mirror, showing a slightly cyan-green tone, reflecting the mountains and the sky, the reflection slightly has a soft focus and atomization diffusion effect, enhancing the spring moist and dreamy atmosphere.
In the midground, a small wooden boat with an arched canopy floats slowly, the oars lightly touch the water surface to form delicate ripples, the water patterns spread naturally, maintaining an extremely quiet state overall.
On the boat is a fisherwoman in red, with a small volume (distant view proportion), the character is simplified into an ink wash silhouette + slight coloring,
wearing a low-saturation cinnabar red traditional costume (not bright red), the color is slightly softened by the mist,
no facial details are depicted for the character, only retaining the outline and posture (such as gently holding the boat canopy or holding the oar),
the red color forms a faint reflection on the water surface, serving as the only warm color visual focus in the picture.
The shore is dotted with sparse woods and spring newborn vegetation, using light ink + light cyan-green dot dyeing, combining virtuality and reality, enhancing rhythm and breath of life.
A small number of flying birds skim across the distant sky, distributed lightly and loosely, enhancing the spatial layers and sense of agility.
At the top center of the picture, vertical calligraphy: "Oriental Aesthetics", adopting traditional handwritten running script or running-cursive style (intention of Wang Xizhi's brushwork),
brushstrokes naturally undulate, lifting and pressing are distinct, with flying white and ink rhyme diffusion effects, avoiding a sense of font.
The calligraphy color is dark ink cyan or soft ink black, unified with the overall picture.
Overall style: ink wash + modern minimalist design fusion, spring Zen, ethereal and moist, tranquil atmosphere,
restrained cold and warm contrast, cinematic light and shadow, high-end art poster texture, 8K ultra-clear details.
新中式水墨山水海报，竖版9:16构图，东方极简美学风格，
大面积留白，整体色调为春日清晨氛围（青绿色、雾蓝、淡灰、浅墨），低饱和、清透柔和，高级质感。
画面主体为奇峻巍峨的群山，从中间平静湖面的两侧拔地而起，占据左右两侧画面，
山体以水墨晕染表现，浓淡干湿变化丰富，局部融入淡青绿色渲染，体现春意生机。
山峰被湿润轻柔的晨雾包裹，雾气层层递进，与浅青蓝天空自然融合，形成空气透视与空间纵深。
湖面如镜面般平静，呈现微青绿色调，倒映山体与天空，反射略带柔焦与雾化扩散效果，增强春日湿润与梦幻氛围。
中景一艘带弧形篷顶的小木舟缓慢漂浮，船桨轻触水面形成细腻涟漪，水纹自然扩散，整体保持极静状态。
船上为一位红衣渔女，体量较小（远景比例），人物简化处理为水墨剪影 + 轻微设色，
身着低饱和朱砂红传统服饰（非鲜艳红），颜色略被雾气柔化，
人物面部不刻画细节，仅保留轮廓与姿态（如轻扶船篷或执桨），
红色在水面形成淡淡倒影，作为画面唯一暖色视觉焦点。
岸边点缀疏林与春季新生植被，采用淡墨 + 淡青绿点染，虚实结合，增强节奏与生命气息。
少量飞鸟在远空掠过，轻盈疏散分布，增强空间层次与灵动感。
画面顶部居中竖排书法：“东方美学”，采用传统手写行书或行草风格（王羲之笔意），
笔触自然起伏、提按分明，带飞白与墨韵扩散效果，避免字体感。
书法颜色为深墨青或柔和墨黑，与整体画面统一。
整体风格：水墨 + 现代极简设计融合，春日禅意、空灵湿润、宁静氛围，
冷暖对比克制，电影感光影，高级艺术海报质感，8K超清细节。
